We don't start when the camera rolls. We start here, in the silence of ideas. Pre-production is where we understand what your story needs technically to breathe. We analyze every scene, every shot, every proposed effect—not to limit your vision, but to maximize it. Together we define what is captured on set and what is built afterwards. Because the best VFX decision is the one made before shooting. Here we design the path to the impossible made possible.

We are there. With color samples, technical questions, and a clear compass for your story. Supervision is not a checklist: it is the guarantee that every minute recorded will serve the purposes that come later. We validate camera angles, lighting directions, movement speeds—everything the composer will need later. We are the eyes of the future in the present of the shoot. Because what is not captured well on set cannot be completely rescued by VFX.

This is where dreams and physics meet. We take what you captured, what you dreamed, and build what was missing. Houdini simulations that meet deadlines. 3D models that interact with your cinematography. Textures that respect the light you captured. Each effect does not exist in isolation: it exists in constant dialogue with the rest of the visual world. We work in rapid iterations so you can see progress and make adjustments before it's too late. Because the best effects are those where the director feels they participated in their creation.

The composer is the final architect. Everything converges here: real and digital elements, light and shadow, movement and stillness. Nuke is our canvas, but precision is our brush. Cinematic light matching, professional keying, color grading that unifies the inconsistent. This phase is where VFX disappear invisibly into your film. We don't want them to stand out: we want them to belong. Each frame is validated against your original vision to ensure total consistency.

When you need environments that don't exist, when the budget doesn't stretch to the location, when real-world physics don't cooperate — that's when we build alternate realities. Complete 3D environments, digi-doubles that act where actors can't be, worlds built pixel by pixel. Virtual production expands your narrative possibilities without limiting your creativity. Because sometimes, what you need is inside the render, not out there in the real world.